Great to see old friends at the open mic to usher in a New Year, the Year Of Vision as they have cleverly dubbed it. Not much audience quantity, but much quality. I run through a few old classics, and even spout about 20 seconds of overt comedy, after which I proclaim that it was comedy. Rookie mistake, but that’s what open mic is for. Ahem. Scroll past this video to view my New Year video, “Year of Vision.”
Year of Vision
In 2020, I want to do a lot more of these little moment-inspired music videos. The music in this is 99% loops from the Mummer’s 2020 parade, and the video is 100% iPhone. Editing was exclusively iMovie on my iPhone.
Back after a little time off, and “loaded for bear,” as they say. (Who is they? Somebody.) And I figured I’d noodle around with my special adaptation of “Song of Fire and Ice” from Game of Thrones. I’m not sure where it originated, but I did not invent it…
In completely unrelated fantastic news: That guy who introduces me—the host of the open mic—Louis Middleton—has been recording in my studio, and will be releasing his first single soon. I’ll be sure to promote it here… He is a very upbeat entertainer, and has an Elton John-type vibe.
Completely energized and three days into quitting smoking, I ravaged the piano with unrelenting force. Featuring a couple of instrumentals, including Heart & Soul, and concluded with the Boogie Woogie.
Having a piano sitting around the house is awesome. I can’t keep my hands from pecking it, prodding it, tinkling its keys. The ability to practice without having to turn a bunch of studio equipment on has re-ignited the piano fire in my belly. I hope you enjoy my rendition of Heart and Soul; this is the first time I’ve ever performed it in public, and I think it deserves to become a regular piece in my sets.
The thing about open mic is that it is a good training ground for learning to fail gracefully. Here I pay tribute to Jay Russell, a dearly departed bandmate from yesteryear, by unsuccessfully muddling through The Pledge. However, my inability to complete the song did not surprise me: I had only learned it the day before, and practiced it a handful of times. I learned firsthand that the concept of “turning failure into success” is real. Interestingly, the fellow directly in front of me immediately embraced the chorus, “I pledge allegiance to cigarettes and booze,” as though it were a song he has stumbled down the sidewalk blurting at 2:17 am several times, despite having only heard it this very night.
Also, in a performance situation, having an old standby like Chinese Buffet to cap off the performance in a positive way is an excellent arrow to have in my quiver of performance strategy. Also featured: Spam.
In 2004, I holed up in the basement of a window factory in New Jersey with my friend Jay Russell. Two years later, we had recorded Break It Up (playable below). We never released it, but his untimely death at 48 years old has sparked interest in it among his friends and family. I spent the last 3 weeks re-mixing the songs and set up a Bandcamp account with which to publish it.
I feel honored to have worked with Jay; he put an abundance of trust in me when I had way more ambition than understanding of how the heck to produce and engineer a proper album. He was extremely talented, funny, and a great pleasure to work with; these songs represent Replacements-style classic rock, with blues, punk, and R&B influences and an enormous guitar presence throughout.
Please have a listen and, if you are so compelled, share it and send a few bucks to his family.
Production and Engineering Notes