Watch: Live at The Thirsty Soul 6-13-2019

Why can’t Robots go potty?

My buddy and loyal open mic companion Geoff suspects that I am the first songwriter to incorporate the “uncanny valley” in my lyrics. I don’t know whether that’s true, but I did quite enjoy publicly debuting the song Robots at the Thirsty Soul last Thursday. Also featuring Cloth Mother (first song about experiment on monkeys?) and Humiliation Compost Heap (the boogie woogie).

Song: Quarter

Saying goodbye to something can be difficult, even if the thing you’re leaving is damaging you. This song was inspired by 7 months’ alcohol free. The instrumentation is particularly sparse, which left room for some detailed production work. It also features a melodica solo. This reedy instrument can impart melancholy better than no other in my own repertoire of musicianship.

Listen on SoundCloud

Song: Thought Cop 2084

Being the enforcer of speech codes can be lonely in my not-yet-fully-imagined futuristic Orwellian musical. In this song, I assume the role of a police officer charged with finding and eradicating non-state-sponsored materials littering the landscape of communication. Enthusiasm in the first half turns to gripes about the daily grind of destroying samizdat. Thanks to my daughter for lending her voice talent by uttering on of her favorite phrases, “Shut up!”

Listen on SoundCloud

Watch: Live at The Thirsty Soul 5-2-2019

There is an uneasy freedom when nobody else shows at an open mic. It will likely cause urges to play songs long since forgotten, or that you always wanted to play but never even tried. Such was the case on May 2. A couple of old originals with a pinch of The Wreck of the Edmund Fitzgerald by Gordon Lightfoot.

I skipped open mic last week to work on my forthcoming song, Thought Cop 2084. That’s in good shape and will be mixed within the next few days. I am going back tonight to see what’s up. If nothing else, I’ll pick some tunes and devour some pretzel-pecan french toast while pontificating about how to incorporate my newer body of work into my act. It’s either plug in the iPad, or arrange stuff on the guitar.