In 2004, I holed up in the basement of a window factory in New Jersey with my friend Jay Russell. Two years later, we had recorded Break It Up (playable below). We never released it, but his untimely death at 48 years old has sparked interest in it among his friends and family. I spent the last 3 weeks re-mixing the songs and set up a Bandcamp account with which to publish it.
I feel honored to have worked with Jay; he put an abundance of trust in me when I had way more ambition than understanding of how the heck to produce and engineer a proper album. He was extremely talented, funny, and a great pleasure to work with; these songs represent Replacements-style classic rock, with blues, punk, and R&B influences and an enormous guitar presence throughout.
Please have a listen and, if you are so compelled, share it and send a few bucks to his family.
Great night, lightly attended by excellent people. We did a second round, so here I am performing 6 songs. For the second set, I indulged myself by singing a vulgar song that–as my pal and would-be manager, Geoff, observed–has the structure of a children’s song. Hopefully children will not sing it.*
* Incidentally, the aforementioned vulgar tune was inspired by a recent visit to Gettysburg, which is documented at:
I finally got a chance to perform the songs I had planned for Independence Day. This set features a few never-before-performed originals: Penniless Adventure, Freedom Is In, American Dream; and, I couldn’t resist putting a bow on things with Chinese Buffet. I’ve realized I enjoy performing on guitar more than piano, but I’ll definitely dive back into pounding the 88s from time to time, especially if I can back a blues act.
The peculiarity and variety of peoples’ perspective on America interests me. This song represents one of a few different snapshots of my own impressions, originally penned in the 1990s. It plays with the idea of what one does with the responsibility of carrying a message about your nation. I delicately tweaked two lyrical lines to more closely resemble my current thoughts. I recorded this song several times until arriving back to the basics of folk rock instrumentation (including the two chords I know on the mandolin!). There is a Phil Lesh-inspired emphasis on bass guitar celebrating the awesome Ampeg rig I recently acquired.
After attending a Phillies game, I found myself muscling through these songs. Nevertheless, I debuted the piano version of Redneck Vacation; delivered my best vocal performance of Fred Jones Pt. 2; and finished with Robots and Cloth Mother. I’m going to celebrate July 4 on guitar.