I perform a few familiar tunes with a new hostess, Liz Starry. I committed a cardinal sin of live musical performances by cracking open my new piezo pickup moments before I went live. It was awkward, but it worked. Featuring I’m Gone, Other Half, and Redneck Vacation. Spoiler: No cajon.
Looks like there may be a bit more of a talent draw with the new hostess, who is plugged into the scene around Philly. Time to rock!
I haven’t had a drink since November 1, 2018. I captured this song during a particularly lucid rumination on how I was feeling: Inspired. Ceasing the destruction of myself and becoming much more responsive to inspiration has begun to instill a sense this feeling is worth sharing.
Wearing my 80s production and Bowie influence on my sleeve, I present this work.
This piece came to me all at once. Or, more accurately, it is the result of a couple of years of pontification about the zeitgeist. I crafted the beat and the main synth theme during my lunch break; to have waited would have been torture.
In this open mic, the table right in front of me caught on fire while I played my first song. Also, I followed an interesting fellow who was visited by an alien being and pronounced the “chosen one.” So, as I continue to hone my gift of stage gab, I concocted an opening that gave a nod to that. Featuring Gardens and Cobblestones, I Drive a Bus, and– inevitably– Chinese Buffet.
I happened upon a really infectious beat I created a couple of years ago and, after an enjoyable session, pulled a catchy melody from the universe. As fate would have it, I decided to listen to The Doors for the heck of it, and realized what I had with this song is a Doors-influenced piece of classic rock with a twist of contemporary production. And so, On Fire was born. It was fun to channel a bit of Jim Morrison, walking the line between psychedelic and Sinatra in vocal and lyrical styling. Yep, looks pretentious to have typed that out loud.